Weeks 7 and 8 coincided with the first real challenge of the course as I prepared for the first MA assignment, a presentation exploring my current practice, while at the same time also trying to complete a comprehensive mortality audit at work, the data for which had to be collected, analysed and presented for a deadline that fell 3 days before that of the MA assignment. To make matters worse I was also working nights over the weekend when both presentations were due.
Till now I’ve largely managed to balance the demands of the course with those of my job, but this was the first time where the combined demands of both seemed unmanageable. I was able to meet both deadlines successfully but there was certainly a toll: the quality of work suffering in both cases as well as me being largely absent from the course in that period. Reflecting on things, I’m satisfied that I was at least able to complete both tasks this time, as at one stage it didn’t seem practically possible, but I have to review whether there’s a better way to balance things in future to reduce the stress when things kick off again.
One positive and unexpected outcome was that I was able to closely combine creative output with medical work under high pressure, for pretty much the first time. Previously I’ve always felt unable to be creative when the demands of my job are high, which has frequently led to prolonged photographic fallow periods where I don’t shoot much or even think much about shooting. Here though, I was able to switch from one task to the other, under duress, and still find some useful creative insights.
his is a skill that I will have to hone further moving forward.
The focus quickly moves now to the project proposal, which is due in four weeks. Preparing the presentation has helped to consolidate my thoughts a little about what I want my project to focus on, and I’m looking forward to a bit more research and having more time to shoot over the next couple of weeks before settling down to finally put the proposal together.
I’m working my way through a pile of books that will inform my proposal as well as the project itself. I’m currently reading a book by David Company as I try to drill down into the idea that my imagery is ‘cinematic’ – something I’ve heard often (and also thought about the work of other photographers) but never really understood.
Following the psychogeographical thread that was handed to me by Gary McLeod and Matthew Beaumont in his thoroughly engaging book ‘Nightwalking: A Nocturnal History of London’ I’m also looking forward to piling into some more books on/around this subject:
I’ve really enjoyed how this course has stimulated me to read and research and opened my perspective in many ways, a massively unexpected bonus in addition to the opportunity to talk to interesting and talented people about photography.